As i illustrate earlier WB adjustment like this produce unwanted color artifacts after invert. WB was set to film orange frame instead of light source. There is a plenty of unused space on the right, so during shooting it is better to adjust shutter speed to fill that space and as result get less digital noise artifacts.Ģ. There are also two possible mistakes in that source raw image:ġ. All the same as described earlier in my FAQ and video tutorials. Next i open it in image editor, Convert to ProPhoto L* TRC ICC profile, do Invert, AutoLevels, add some Lightness, pick Grey Point, add Contrast preset LUT. (Probably need somehow to save settings preset because Tiff Setup reset selected settings after every export) That ICC profile will be embedded in exported image, so i don't need to add it manually later in image editor. Also in Tiff Setup i select custom-made ProPhoto gamma 1.0 ICC profile from my list. In Export Settings i select TIFF, ProPhoto and Linear gamma. Turn everything else OFF or set it to default "D"
Iridient developer cost iso#
Adjust ISO or Exposure to avoid channels clipping.
(Do NOT activate "Bypass IPP2 Output Transform", because it will disable color management globally) Set Tone Mapping and Highlight Rolloff effects to NONE. Not tested yet how it affect image from RED cameras, but as i describe earlier, additional sharpness cause some artifacts amplified with AutoLevels. I set Monitoring Out n Preferences to ProPhotoRGB to match histogram preview clipping level to actual image being exported in ProProtoRGB. So i attempt to fit RedCine-X RAW editor to current workflow:
On other forum user jzagaja shared RAW film scan sample made with RED camera setup!
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